AYAIC ProMix Bundle — Free Download

Updated 20 de octubre de 2026
Software bundles

A two-plugin mixing bundle combining an automatic leveling system with a noise-based Hyper-EQ, designed to speed up balancing and creative tonal shaping in large sessions.

AYAIC ProMix Bundle

Purpose and Core Concept

The AYAIC ProMix Bundle pairs two complementary mixing tools: Mix Monolith, an automatic mixing system, and Ceilings of Sound Pro, a noise-based Hyper-EQ. Together they aim to reduce the time spent on level balancing and equalization while encouraging creative experimentation. Mix Monolith’s key idea is instant leveling across individual tracks, busses, FX channels, and the master fader with a single click.

The two plugins are meant to work in tandem: you can use Ceilings of Sound Pro to design a custom EQ shape, then instantly hear how it affects a mix using Mix Monolith’s LEARN/MIX feature. This workflow encourages trying different tonal colors quickly and evaluating them in context. The emphasis on speed and intuitive control suggests a toolset for mixing engineers who want to maintain creative momentum without getting bogged down in technical adjustments.

Key Capabilities

Mix Monolith offers an «All Channels» LEARN/MIX mode that analyzes and levels every instance in your session as one entity, while a «This Channel» mode targets a single instance. It includes infinite Duck/Expand groups and Mute groups for sidechain-style dynamics and frequency carving.

The plugin features a fully automatable «level-plane» fader that moves elements forward or backward in the mix, and an «Applied gain» locking feature. Attack and release settings can be time-based (free mode) or host-synced (note-based), with an «F» option that locks attack to a very fast setting for snappy response. You can add as many Monoliths as needed; they function as a single entity when using all-channel LEARN/MIX.

Workflow with Ceilings of Sound Pro

Ceilings of Sound Pro is a Hyper-EQ with 15 user-definable «ceiling» bands, each containing 49 noise slopes. These ceilings control a switchable 50/31-band graphic equalizer. You can create a ceiling shape, then use the «conform spectrum to ceiling» feature to instantly apply it to the audio spectrum. The equalizer operates with zero latency and low CPU load, even at low frequencies.

The workflow is designed around quick shape manipulation: you can draw or adjust ceilings with click-and-drag ergonomics, or use an «auto generate ceiling» function for instant starting points. Forty-nine ceiling guides help you balance shapes for faster equalization. This approach is intended to make EQ more tactile and creative, whether you’re working with presets or crafting raw mixes during mix-down or mastering. The equalizer is fully automatable, allowing dynamic changes over time.

Practical Applications

The bundle is best suited for mixing engineers handling sessions with many tracks, where automating levels and ducking manually would be time-consuming. Mix Monolith can be used to quickly set levels on a drum kit, vocals, or entire groups, then fine-tune with ducking to clean up frequency clashes.

Ceilings of Sound Pro excels in creative shaping: you can experiment with unusual ceiling curves to find new tones, then instantly hear them in the mix. The low latency and multiple-instance optimization make it practical for use on many channels. The combination of automatic leveling and quick EQ conforming could speed up the initial mix stage, leaving more time for artistic decisions.

Key features

  • Mix Monolith: automatic leveling for channels and busses
  • Infinite Duck/Expand and Mute groups
  • All Channels and This Channel LEARN/MIX modes
  • Level-plane fader with automatable and locking options
  • Ceilings of Sound Pro: 15 ceiling bands with 49 noise slopes each
  • Switchable 50/31-band graphic EQ with zero latency and low CPU load
  • Conform spectrum to ceiling feature and 49 ceiling guides

Best for

Mixing engineers who want to accelerate level balancing and EQ shaping in large sessions, especially those who enjoy sidechain ducking and experimental tonal design without being limited by group count.

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